Spotify-ийн инноваци хариуцсан захирал асан Маухан М.Зонуузийн үүсгэн байгуулсан A Vinyl Bar in Shibuya стартап хөгжим сонирхогчдод зориулсан шинэлэг аппликейшнуудыг танилцууллаа.
Тус компани Mantis VC, SV Angel, Boxgroup болон бусад хөрөнгө оруулагчдаас 5.5 сая ам.долларын санхүүжилт татан төвлөрүүлжээ. Мөн Spotify-ийн контент болон зар сурталчилгааны бизнесийг удирдаж байсан Даун Острофф тус стартапын зөвлөхөөр ажиллахаар болсон байна.
A Vinyl Bar in Shibuya нь хэрэглэгчдэд хөгжим болон дуу авиаг бүтээлчээр өөрчлөх боломжийг олгодог жижиг хэмжээний аппликейшн болон вэб хэрэгслүүдийг цувралаар гаргаж байна. Одоогоор Speed Surfer, Usersound, Stacks, Drops зэрэг хөгжимтэй харилцах олон төрлийн туршилтын бүтээгдэхүүнүүд хэрэглээнд нэвтрээд байгаа юм.
Тус стартапын гол бүтээгдэхүүн болох bop аппликейшн нь хэрэглэгчдэд хөгжмийн зэмсэг болон эффектүүдийг ашиглан өөрийн миксийг бүтээх боломжийг олгодог. Маухан М.Зонуузийн үзэж буйгаар, хиймэл оюун ухаан нь хүчирхэг хэдий ч хөгжмийн ирээдүйг зөвхөн автоматжуулсан контент үйлдвэрлэл гэж харах нь өрөөсгөл бөгөөд хүний оролцоо, мэдрэмж улам бүр үнэ цэнтэй хэвээр үлдэх болно.
Тус компани энэ онд хэрэглэгчдэд хөгжмийн элементүүдтэй чөлөөтэй ажиллах, шинээр хөгжмийн зэмсэг бүтээх боломж олгох “musical sandbox mixer” бүтээгдэхүүнийг гаргахаар төлөвлөж байна. Ирээдүйд bop аппликейшны олон тоглогчтой хувилбарыг хөгжүүлж, хэрэглэгчдийн хоорондын хамтын бүтээлч ажиллагааг дэмжих зорилт тавьжээ.
Дэлгэрэнгүйг эх сурвалжаас харах
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As AI rages on, new startups are creating tools for people to create music using generative AI prompts in the style of any artist they want. A Vinly Bar in Shibuya, a startup that sounds more like an indie band name, is focused on releasing a series of small apps that let you play around with sounds and vocals.
The company has raised a $5.5m pre-seed round from Mantis VC, SV Angel, Boxgroup, Quiet Capital, ERA, Common Metal, Gold House, Liquid 2 Ventures, Breakers VC, Systemic Ventures, and former Spotify chief content and advertising business officer,Dawn Ostroff, who joined the company as an advisor.
The startup is built by Máuhan M Zonoozy, who was the former head of innovation at Spotify. Prior to that, he founded a video clipping and remixing startup called Bubbl, which was acquired by Cricket Media.
Zonoozy, who left Spotify in 2024, said that he always wanted to go back to building something of his own. He thought that while streaming solved the access problem, most of the interaction with music was still around consumption.
“I think when I looked at emergent behaviors and younger audiences, like everyone’s growing up playing with culture through games, through filters, through creation tools. And I just felt like there was an opportunity to empower people to do something similar with music,” he told TechCrunch.
The startup releases these experiments like “singles” that are part of an album. The common theme between all of these apps or websites is interacting with different elements to create music or modify sound. For instance, Speed Surfer is a Chrome extension that changes the speed and filter of sound playing in your browser window.
Usersound is a website where you can create an “audio” username with each letter representing a note. Stacks is a stem player where you can create mixes by turning bars on or off in a 3×3 grid. Drops is about placing plaques in a pattern to deflect marbles falling down, which creates musical notes. Sampler is a website that turns YouTube videos into music samplers based on beats of different parts of the songs.
The company’s more ambitious product is an iOS app called bop. This lets you place musical instruments and effects in a grid to create different mixes of a base song. You can also adjust tempo and add one-time effects. Once you create these mixes, you can easily export them to TikTok or Instagram. A Vinly Bar in Shibuya is also working on a multiplayer version, which would let users remix songs with others.
Zonoozy said that it is making an informed choice not to infuse AI into every part of these apps. He is open to using AI to build these products and to make infrastructure solid, though.
“AI is obviously extraordinarily powerful, but I think we just don’t necessarily believe that the future of music is simply generation, like song generation via AI. And I think if AI starts to make that content more abundant, it actually makes taste and human perspective and interaction and participation even more important and even more valuable. And we’re just trying to make sure it doesn’t make it even rarer,” he said.
This year, the company aims to release a “musical sandbox mixer” product that would let users play around with different elements of music-making, including being able to create instruments.
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