Тус студи Fatherland киноны жүжигчний дүрийг туслах эмэгтэй дүрийн төрөлд дэвшүүлэхээр болж, Rose киноны гол дүрийн кампанит ажлыг тодорхой болголоо.
Академийн шинэчилсэн журмаар жүжигчин нэг төрөлд нэгээс олон номинац авах боломжтой болсон тул энэ улиралд уг өөрчлөлтөд хамрагдах эхний хүн хэн байх тухай таамаг өрнөсөн. Германы жүжигчин Сандра Хюллерийг Rose болон Fatherland киногоор гол дүрийн эмэгтэй жүжигчний төрөлд, Project Hail Mary болон Digger киногоор туслах дүрийн төрөлд нэр дэвших боломжтой гэж үзэж байв.
Гэвч Variety-ийн мэдээлснээр MUBI арваннэгдүгээр сарын 2-нд Хюллерийг Fatherland киноны дүрээр туслах эмэгтэй жүжигчний төрөлд өрсөлдүүлэхээр шийджээ. Ингэснээр Rose киноны гол дүрийн номинацад чиглэсэн кампанит ажил илүү тодорхой болж, хоёр кинонд нэг төрөлд санал хуваагдахаас сэргийлэх боломж бүрдсэн гэж нийтлэлд онцолжээ.
Теллурид болон Нью-Йоркийн кино наадмын дараа Rose нь Хюллерийн Оскарт нэр дэвших хамгийн өндөр боломжтой бүтээлээр яригдаж байсан бол Fatherland нь Польшийн олон улсын шилдэг киноны эрхэмд өрсөлдөх магадлалтай хэвээр байна. Тус хоёр кино Австри болон Польшийн нэрийн өмнөөс олон улсын шилдэг киноны төрөлд тус тус нэр дэвшүүлэгдсэн.
Хюллерийн туслах дүрийн нэмэлт номинац авах хамгийн боломжтой бүтээл нь Project Hail Mary гэж нийтлэлд дурджээ. Райан Гослинг гол дүрд нь тоглосон тус кино 2026 оны гуравдугаар сард нээлтээ хийсэн бөгөөд сонгогчдын анхааралд дахин өртөх шаардлагатай гэж үзсэн байна. Харин Хюллер Оскарын түүхэнд бичигдэх эсэх нь тодорхойгүй ч Rose, Fatherland, Project Hail Mary, Digger бүтээлүүдийн аль нэг нь номинац авах боломжтой хэмээн таамаглажээ.
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One of the hottest topics surrounding the Academy’s recent rule change that allows an actor to be Oscar-nominated more than once in the same acting category: Who will be the first performer this new rule applies to? The current consensus is German actress Sandra Hüller.
The new rule was first announced amid a pivotal spring season for the Oscar-nominated “Anatomy of a Fall” star. Hüller had recently won the Berlinale Silver Bear for Best Leading Performance for “Rose.” Later, “Project Hail Mary” was deemed Q1’s biggest blockbuster. Soon after, “Fatherland,” her collaboration with Polish auteur Paweł Pawlikowski, would win the filmmaker his second Best Director prize at the Cannes Film Festival. Meanwhile, her supporting “Digger” turn was already on prognosticators’ radars as a performance to watch, sight unseen — especially because of the film’s twice-Oscar-winning director, Alejandro González Iñárritu, and Hüller’s co-star, recent honorary Oscar winner Tom Cruise.
Not only were there presumably two viable chances at Best Actress (“Rose,” “Fatherland”), but two opportunities to break into the Best Supporting Actress race (“Project Hail Mary,” “Digger”). But 2026’s awards landscape has since shifted. Hüller no longer stands to nab multiple nominations in one category — but she’s still in the mix to earn multiple nominations overall.
“Rose” and “Fatherland” distributor MUBI had initially been operating as if Hüller were a Best Actress contender for both films. (They’re also both Best International Feature submissions, for Austria and Poland, respectively.) But on Monday, November 2, Variety reported that MUBI had shifted Hüller to the Best Supporting Actress race for her “Fatherland” performance.
Whether that is the best decision to ensure Hüller is nominated for both films, the jury is still out. Even without the category change, after fall festivals likeTellurideand NYFF, the general consensus deemed “Rose” as her best chance at an Oscar nomination. And even though it didn’t get the second wave of praise it wanted, “Fatherland” still had a decent shot at making it into Best International Feature, a category Pawlikowski’s “Ida” won in 2014.
Ultimately, that helps explain why this move likely clears the way for a “Rose” lead nomination than for Hüller to receive more Best Supporting Actress votes. “Rose” is a much more obvious showcase of her talents, which is why people believed she would be nominated for Best Actress for that over “Fatherland” in the first place. This move sends a clearer message from MUBI to the Actors Branch: send their Best Actress votes for her that way. Meanwhile, Pawlikowski is well-regarded enough in other branches to shoulder the “Fatherland” campaign on his own. Remember, the Cannes jury awarded him, not Hüller.
MUBI also has another Best International Feature contender: Cannes Grand Prix winner “Minotaur,” France’s submission from Russian director Andrey Zvyagintsev. But it will probably take a more known quantity like Pawlikowski, a previous Best Director Oscar nominee for “Cold War,” to shepherd a MUBI film into a Best International Feature race against category powerhouses Netflix (distributor of TIFF People’s Choice Award winner “La Bola Negra” and Venice Grand Jury Prize winner “Possible Love”) and Neon (distributor of Palme d’Or winner “Fjord” and Cannes Best Actress winner “All of a Sudden”).
Outside of Hüller’s frontrunner status in Best Actress for “Rose,” her best shot at an additional nomination for Best Supporting Actress is actually “Project Hail Mary.” Not only does it feature her karaoke moment, one of the year’s most beloved film scenes, but the Amazon MGM film’s star, Ryan Gosling, is a serious contender for a Best Actor nomination. This sets up a pattern we’ve seen over the past few years: The last six Best Actor winners have had a co-star nominated for Best Supporting Actress. But “Project Hail Mary” needs a second wind to stay top of mind with voters, as the movie opened back in March 2026.
Will Hüller make Oscar history this awards season? Probably not. But there’s a good chance for each of her films, from “Rose” to “Fatherland” to “Project Hail Mary” to even the well-crafted “Digger,” to receive at least one Oscar nomination, especially with the possible Best Actress vote splitting now out of the way.
As for whatever her secret role is in “Avengers: Doomsday,” we will refrain from prognosticating until we have seen the film.
