Найруулагч Кристофер Нолан хиймэл оюун ухааныг (AI) “шилэн морин хуур” буюу хүн бүр дотор нь аюул нуугдаж буйг мэддэг технологи хэмээн тодорхойлж, залуу үеийнхэн энэ технологийг хүлээн авахгүй байгааг нааштай үзэгдэл гэв.
Кино найруулагч Кристофер Нолан саяхан хийсэн ярилцлагадаа хиймэл оюун ухааныг “Трояны морь”-той зүйрлэжээ. Түүний үзэж буйгаар, технологийн хурдацтай дэвшлийг олон нийт, ялангуяа залуучууд эрс эсэргүүцэж байгаа нь эрүүл сэтгэлгээний илрэл юм. Тэрээр хиймэл оюун ухааныг сохроор шүтэх бус, түүнийг бүтээгчдийн зорилго болон технологийн үр дагаврыг шүүмжлэлтэй харах нь чухал гэдгийг онцолсон байна.
Холливудын салбарт хиймэл оюун ухааны асуудал томоохон маргаан дагуулаад байгаа бөгөөд 2023 онд болсон зохиолчид болон жүжигчдийн ажил хаялтад энэ технологи гол сэдэв болсон юм. Нолан өөрөө “Directors Guild of America”-ийн ерөнхийлөгчийн хувьд хиймэл оюун ухааныг зохицуулах хамгаалалтын заалтуудыг гэрээнд тусгаж чаджээ. Тэрээр өөрийгөө технологийн эсрэг үзэлтэн биш, харин “техно-скептик” гэж тодорхойлдог байна.
Технологийн салбарт үргэлж шинэ нээлтүүд гардаг ч хуучин, үр дүнтэй системүүдийг орхих нь буруу гэж Нолан үздэг. Тухайлбал, тэрээр кино урлагт дижитал дүрслэлээс илүүтэй хальсан дээр зураг авах нь хүний нүдний хараанд илүү нийцтэй гэж үздэг бөгөөд өөрийн шинэ бүтээлээ бүхэлд нь Imax камер ашиглан хальсан дээр буулгажээ.
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Christopher Nolan, the Oscar-winning director whose new version of “The Odyssey” is currently conquering the box office, said it’s been “pretty encouraging” to see deep skepticism of AI, especially from young people.
Nolan was responding to a question from interviewer Hugo Travers, who publishes on YouTube under the name HugoDécrypte. Travers brought up the legendary Trojan horse, which plays a key role in Nolan’s film — just as the horse was a gift concealing murderous Greek invaders, he wondered if AI might be something “that you welcome in your daily life” but ends up becoming “something else and something darker.”
Laughing, Nolan responded, “I think AI is a Trojan horse that everybody knows the Greeks are inside.” He later described the technology as “a transparent horse, it’s made of glass.”
“I’ve never seen a technology advancing so rapidly [that’s been] so completely rejected by the public,” he said. “Everybody’s suspicion of it is so extreme, particularly young people. The reaction to AI videos online and people my children’s age immediately calling it ‘AI slop’ and coining that term and just putting it in a box.”
In Nolan’s view, this is “a very healthy skepticism, because technology is always going to give us great gifts, as you say, but it has to be viewed with skepticism.” Similarly, he said, “The motives of the people giving it to us also have to be viewed with skepticism. That’s when we’ll get the best out of a new technology, rather than just blind faith that everything’s going to be great.” (Meanwhile, SpaceX CEO Elon Musk has been angrily posting about the film’s nonwhite and transgender cast members.)
Nolan didn’t get more specific about what he views as the threat from AI, but the technology has been a growing source of concern in Hollywood and was a major focus during the writers’ and actors’ strikes of 2023. The Directors Guild of America, where Nolan is president, also won some generative AI protections in its most recent contract.
The director has been famously resistant to other technologies, including smartphones; his embrace of film can make him seem simultaneously like a Luddite and pioneer, with “The Odyssey” becoming the first feature film to be shot entirely on Imax film and Imax cameras.
When The New York Times recently asked Nolan if he thinks of himself as a technophobe, he replied, “I think of myself as a techno-skeptic,” and said his love of film comes from the fact that it’s “better in terms of representing the way the eye sees the world than any digital imaging system I’ve seen.”
“I embrace new technology all the time, but it tends to be sold to people at the expense of systems that might still be valid and viable,” Nolan said. “That’s what I saw in my industry — throwing the baby out with the bath water. We almost lost film!”
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