IMDb үнэлгээ болон үзэгчдийн таашаалд нийцсэн сүүлийн жилүүдийн онцлох триллер төрлийн кинонуудыг танилцуулж байна.
Сүүлийн арван жилд бүтээгдсэн триллер төрлийн кинонууд дундаас сэтгэл зүйн нууцлаг, гэмт хэргийн драма, шинжлэх ухааны уран зөгнөлт болон төрөл жанрыг хослуулсан онцлох бүтээлүүдийг сонгон авчээ. Жагсаалтад Райан Гослингийн тоглосон “Project Hail Mary”, Киллиан Мёрфийн гол дүрийг бүтээсэн “Oppenheimer”, “The Batman”, “Anatomy of a Fall”, “Killers of the Flower Moon”, “Promising Young Woman” болон “The Substance” зэрэг олон улсад өндөр үнэлгээ авсан кинонууд багтсан байна. Эдгээр бүтээлүүд нь жүжигчдийн гайхалтай гүйцэтгэл, сонирхолтой өрнөлөөрөө үзэгчдийн анхаарлыг татаж, триллер төрлийн киноны шинэ жишиг тогтоожээ.
Кино сонирхогчид өөрийн хүсэл сонирхолд нийцүүлэн удаан өрнөлтэй нууцлаг кинонуудаас сонгох бол “The Batman” эсвэл “Anatomy of a Fall”-ыг, харин илүү өргөн цар хүрээтэй, хурцадмал өрнөлтэй бүтээл хайж байгаа бол “Oppenheimer” эсвэл “One Battle After Another”-ыг үзэх боломжтой. Илүү харанхуй, ер бусын мэдрэмж төрүүлэх кино сонирхдог үзэгчдэд “The Substance”, “The Menu”, “The Invisible Man” зэрэг бүтээлүүд санал болгож байна. Төрөл бүрийн хэлбэрээр хурцадмал байдлыг илэрхийлсэн эдгээр кино нь энэ амралтын өдрүүдэд үзэхэд хамгийн тохиромжтой сонголт болох юм.
Дэлгэрэнгүй эх сурвалжийг харах
Эх сурвалжийг нээх ↓
Oscar winners, box office successes and the sleepers everyone missed. If you’re looking for what to watch this weekend, these are our picks for the Best Thrillers of the 2020s, backed by strong IMDb user ratings and audience reactions.
Critics’ lists of the decade’s best thrillers often focus on the same familiar titles. This list takes a different approach, combining standout performances, memorable stories and the films that connected with viewers. From psychological mysteries and crime dramas to sci-fi suspense and genre-bending surprises, these are the thrillers worth watching now.
1. Project Hail Mary (2026)
IMDb: 8.2. Ryan Gosling plays a science teacher who wakes up alone on a spacecraft with no memory of who he is or why the fate of Earth now rests on him. What starts as a locked-room mystery in deep space turns into something warmer and stranger. Expect white-knuckle problem-solving that keeps melting into pure wonder, and a lump in your throat you never saw coming.
2. Oppenheimer (2023)
IMDb: 8.2. Cillian Murphy is J. Robert Oppenheimer, the physicist racing to build the atomic bomb while the ground shifts under him, with Robert Downey Jr. and Emily Blunt circling. Three hours of conversation that play like a countdown. The dread builds so gradually you only notice it when the film finally lets you exhale, and it never fully lets you.
3. Obsession (2025)
IMDb: 7.9. A hopeless romantic makes a wish to win his crush’s heart and gets exactly what he asked for. Inde Navarrette turns devotion into something you watch through your fingers. The film runs on creeping unease: every scene is slightly more wrong than the last, and by the end, you’ll rethink ever wanting to be wanted.
4. The Batman (2022)
IMDb: 7.8. Robert Pattinson’s Batman is a detective first, following a serial killer’s riddles through a rain-soaked Gotham with Zoë Kravitz and Paul Dano. This is Batman as slow-burn noir: paranoia, corruption, a city rotting from the inside. It leaves you tense and a little grimy, in the best way.
5. Marty Supreme (2025)
IMDb: 7.6. Timothée Chalamet plays a 1950s New York hustler determined to turn ping-pong into his ticket to greatness, with Gwyneth Paltrow in his orbit. Josh Safdie directs it at a constant sprint. It’s anxiety as entertainment: your heart rate climbs with Marty’s ambition and never quite comes down.
6. One Battle After Another (2025)
IMDb: 7.6. Leonardo DiCaprio is a burned-out ex-revolutionary living off the grid with his daughter when the enemy from his past, played by Sean Penn, resurfaces. Winner of six Oscars, including Best Picture. Paranoia, absurd comedy and one of the great modern car chases: you spend the film looking over your shoulder and laughing at the wrong moments.
7. Sinners (2025)
IMDb: 7.5. Michael B. Jordan plays twin brothers who return to 1932 Mississippi to open a juke joint, only to find something waiting for them in the dark. Ryan Coogler fuses blues music with mounting terror. It seduces you first, scares you second, and the music stays in your head long after the fear fades.
8. Anatomy of a Fall (2023)
IMDb: 7.6. Sandra Hüller plays a writer on trial after her husband is found dead below their chalet, with only their blind son as a witness. The film never tells you whether she did it. You leave arguing with yourself, and possibly with whoever watched it with you. Few movies turn the audience into the jury this completely.
9. Killers of the Flower Moon (2023)
IMDb: 7.5. Leonardo DiCaprio, Lily Gladstone and Robert De Niro in Martin Scorsese’s account of the Osage murders, where oil money made a Native nation rich and their neighbors deadly. The horror here is quiet and patient. It settles on you as sorrow more than suspense, and it does not lift.
10. Promising Young Woman (2020)
IMDb: 7.5. Carey Mulligan plays a woman who spends her nights pretending to be blackout drunk, waiting to see what men do next. Candy colors, pop soundtrack, and a razor underneath. It swings between wicked fun and cold fury, and the ending is still being argued about years later.
11. The Covenant (2023)
IMDb: 7.5. Jake Gyllenhaal is an Army sergeant in Afghanistan whose interpreter drags him to safety across enemy territory, only for him to learn that America left that interpreter behind. Guy Ritchie with all the jokes stripped out. It runs on gratitude and guilt, and the tension of one man going back when no one else will.
12. Weapons (2025)
IMDb: 7.4. One night, every child in a single classroom gets up and runs into the dark, and no one knows why. Julia Garner and Josh Brolin lead the search; Amy Madigan won an Oscar for what she does here. Zach Cregger builds dread out of an ordinary suburb until the ordinary itself feels wrong.
13. Nobody (2021)
IMDb: 7.4. Bob Odenkirk plays a suburban dad everyone underestimates, right up until two thieves break into his house and wake something up. Ninety minutes, no fat. It’s pure catharsis: the fantasy of the quiet guy finally cutting loose, delivered with a grin.
14. Conclave (2024)
IMDb: 7.4. Ralph Fiennes plays the cardinal running a papal election as secrets about the candidates surface one by one, with Stanley Tucci and Isabella Rossellini in the room. Whispered conversations, locked doors, ancient rituals. The pleasure is watching composed men come apart politely, twist after twist.
15. Tenet (2020)
IMDb: 7.3. John David Washington plays an agent recruited into a mission where time itself runs both ways, opposite Robert Pattinson. Nolan’s most demanding puzzle. Watching it feels like solving a lock while the room floods: disorienting, occasionally maddening, and weirdly exhilarating when it clicks.
16. Bullet Train (2022)
IMDb: 7.3. Brad Pitt plays an unlucky assassin whose simple snatch-and-grab on a Japanese bullet train keeps colliding with other killers on the same ride. It’s a comedy wearing a thriller’s clothes: fast, violent and genuinely funny, the kind of film that leaves you buzzing rather than shaken.
17. The Substance (2024)
IMDb: 7.2. Demi Moore plays a fading star who takes a black-market drug promising a younger, better version of herself. It delivers, at a price. Equal parts satire and body horror, it starts as a smirk and ends as a scream. Watch it on an empty stomach.
18. A Quiet Place Part II (2021)
IMDb: 7.2. Emily Blunt leads her family out of their ruined farm and into a world where any sound can kill, with Cillian Murphy as a stranger who wants no part of them. The opening sequence alone is worth the ticket. Every held breath in the theater is real: this is silence weaponized.
19. The Invisible Man (2020)
IMDb: 7.1. Elisabeth Moss plays a woman who escapes her abusive tech-genius boyfriend, then starts sensing him in every empty room after he is believed to be dead. The scariest thing on screen is nothing at all. It captures the specific terror of not being believed, and empty corners will bother you for days.
20. Wrath of Man (2021)
IMDb: 7.1. Jason Statham takes a job at an armored truck company, and it slowly becomes clear he is not there for the paycheck. Guy Ritchie at his coldest: no banter, no winks. A revenge film that runs on ice instead of adrenaline, and lands its final act like a hammer.
21. The Menu (2022)
IMDb: 7.1. Anya Taylor-Joy and Nicholas Hoult sail to an exclusive island restaurant where Ralph Fiennes’ celebrity chef has planned every course, including the last one. Deliciously mean satire with a body count. You laugh, you squirm, and you will never look at a tasting menu the same way again.
Our Picks: The Thrillers Worth Watching This Weekend
IMDb ratings show what audiences loved most, but the best thriller to watch this weekend depends on the kind of tension you want. For a slow-burn mystery, choose The Batman or Anatomy of a Fall. If you want something bigger and more intense, Oppenheimer and One Battle After Another deliver scale and suspense. For a darker, stranger experience, The Substance, The Menu and The Invisible Man offer the kind of stories that stay with you after the credits.
Whether you’re looking for a psychological thriller, a crime story or a genre-bending surprise, these Best Thrillers of the 2020s prove that suspense can come in many forms.
