Натан Филдер болон Лэнс Оппенхайм нарын найруулсан “You Can See Everything” баримтат кино Хойд Америкийн зах зээлд хүчтэй өрсөлдөөн үзүүлж, кино сонирхогчдын анхаарлыдыг татаж байна.
Элизабет Холмесын тухай өгүүлэх “You Can See Everything” баримтат кино хоёр дахь долоо хоногтоо 19.5 сая ам.долларын орлого олж, нийт орлогоо 45 сая ам.долларт хүргэлээ. Энэхүү амжилтын улмаас A24 студи киног гаргах театрын тоогоо 2,655 болгон өргөжүүлсэн нь баримтат киноны хувьд онцгой тохиолдол юм. Уг бүтээл нь 2004 онд гарсан Майкл Мүүрийн “Fahrenheit 9/11” киноноос хойших хамгийн өндөр орлого олсон баримтат кино болж байгаа бөгөөд шүүмжлэгчид үүнийг Оскарын шагналд нэр дэвших магадлалтай гэж үзэж байна.
Тус кино нь Theranos компанийн үүсгэн байгуулагч Элизабет Холмес Техас муж дахь Холбооны шоронд хоригдохоос 34 хоногийн өмнөх үйл явдлаас эхэлдэг. Тэрээр өөрийн компанийн цус шинжлэх технологийн чадавхын талаар худал мэдээлэл өгч, залилан хийсэн хэргээр 11 жилийн хорих ял сонссон юм.
Харин DC Universe-ийн “Clayface” аймшгийн кино 24 сая ам.долларын орлогоор бокс оффисыг тэргүүлж эхэллээ. Мөн “Wildwood” хүүхэлдэйн кино 11 сая ам.долларын орлогоор гуравдугаар байрт орсон бол “Wicker” кино 6 сая ам.долларын ашиг олсон байна. Харин Женна Ортега, Эми Адамс нарын тоглосон “Klara and the Sun” кино нээлтийн долоо хоногтоо 725,000 ам.долларын орлогоор сул үзүүлэлттэй эхэлжээ.
Дэлгэрэнгүй эх сурвалжийг харах
Эх сурвалжийг нээх ↓
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The Elizabeth Holmes documentary You Can See Everything gave DC Universe’s Clayface a run for its money at the box office this weekend.
Clayface, a horror movie about the Batman villain of the same name, sat comfortably at No. 1 on its debut weekend, taking in $24 million from 3,458 North American theaters. But You Can See Everything wasn’t far behind – again defying box office expectations.
The documentary about the disgraced Theranos founder, by Nathan Fielder and Lance Oppenheim, collected an impressive $19.5 million while expanding to 2,655 venues on its second weekend, according to Rentrak, which compiles box office data. So far, the movie has made $45 million in total domestically.
The film begins 34 days before Holmes surrenders herself at the Federal Prison Camp in Bryan, Texas, where she’s serving an 11-year sentence after being convicted on four counts of fraud and conspiracy for lying about the capabilities of her biotech company’s blood testing technology.
The movie has been such a success that A24 expanded the film to 2,655 theaters, which makes it an exceptionally wide release for a documentary and more than triple its opening-weekend footprint.
You Can See Everything is the highest-grossing nonmusical documentary since Michael Moore’s Fahrenheit 9/11 in 2004, and reviews have been overwhelmingly positive across the board.
Some commentators are predicting that it could become the first documentary to ever score a best picture nomination at the Oscars.
Clayface was a modest opening for a comic-book adaptation, but it was probably a relief for DC, since the studio has struggled with success at the box office this year.
The studio’s Supergirl was a box office flop in July, taking in $126 million worldwide against production marketing costs of at least $270 million.
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In third place in the weekend box office rankings was Wildwood, a stop-motion animation about a teenage girl who searches an enchanted forest for her kidnapped brother. The movie debuted at $11 million this weekend and received rave reviews, but was expensive to make at about $100 million.
Following behind was the romantic fantasy movie Wicker, starring Olivia Colman as a lonely fisherwoman who commissions a basket maker to create her a husband (Alexander Skarsgard), taking in a solid $6 million.
Klara and the Sun, the adaptation of the sci-fi novel of the same name, didn’t have much success on its opening weekend, collecting just $725,000 from 880 theaters. It stars Jenna Ortega and Amy Adams.
